A band not
often mentioned in the melodic rock
history books is San Francisco based
Eddie And The Tide. At the beginning
of 2003, their name is on everyone's
lips, thanks to the re-release of
three of their previous hard to get
albums. Stepping up to the plate is
German CD retailer Target Records to
deliver an eighties triumvirate:
1984's "I Do It For You", and the
double-pairing of 1988's "Dig Down
Deep" and 1989's "Stand Tall". These
three albums were released on the
independent label Spin Records,
traversing the middle period of
1985-1987 when the band were actually
signed to Atco Records.
Enter Steve Rice, the voice and
focal presence behind Eddie And The
Tide. He was in fact the "Eddie" in
the band, even if there was no one
else with that actual name. It was
some surprise then that these three
albums made it to the digital domain,
much to the loud cheers of long time
fans. Steve explains how it all
eventuated. "Hello George. Yes, it
was a nice surprise to see our music
back out there. Robert (Pancur) from
Target Records tracked me down
through Eddie and the Tide's website.
The band was thrilled to see what a
great job Robert did with the whole
package. He did a classy
job!"
The band apparently retrieved
the masters from the vaults of
Fantasy Studios in Berkeley, and had
them re-mastered by Alan Goldwater at
Magic Sound. "We also pulled three
songs from those sessions that were
not on the original 'I Do It For You'
album and tacked those on as bonus
tracks" adds Steve.
Starting life
as far back as 1979, the band was
originally called something else.
"Yeah, actually, we all started as
The Suburbs, but because of another
band in Minnesota with the same name,
they threatened a lawsuit, so we
became Eddie and the Tide" says
Steve. "I started the band up by
placing an add in the local paper and
just finding some great players who
also had great attitudes, and wanted
to have fun but were also serious
about getting a record deal and
touring etc. We worked really hard
and it took about five years of
playing the clubs before
Atco/Atlantic Records approached
us."
There is a
wee bit of a story as to how the band
eventually ended up with their name.
A band called "Eddie Something" with
no "Eddie" - how the hell does that
work? "The band and I were searching
for the right name" says Steve, "and
at one rehearsal we wrote about 30
names on a piece of paper and I went
home and was looking over all of
them, and nothing sounded right. That
night I fell asleep and had a very
vivid dream about a band called,
Eddie and the Tide, I took it to the
band the next night, and we all
agreed and had a
beer!"
That simple huh? Well, if you
weren't actually living in San
Francisco at the time, not many
people would have known about the
band. In retrospect, they were a
institution on the Bay Area club
scene. "That's right," confirms
Steve, "we started out in Santa Cruz,
about an hour south of San Francisco,
and we would drive all over the Bay
Area playing clubs. Eventually Bobby
Corona who ran the biggest rock club
in San Francisco - The Stone, noticed
us. He decided he wanted to manage
us, and got us playing all the great
clubs. Bobby also got us into the
studio to record 'I Do It For You'
and we released that on our own Spin
Records
label."
The unusual
thing about the buzz being created
for Eddie And The Tide was the fact
they were an independent act, in a
sea of acts based in San Francisco
who were on mainstream labels. The
list is significant: Journey,
Nightranger, Y&T, Starship, Sammy
Hagar, Huey Lewis And The News are
just some names mentioned. "The local
radio got excited about us and
started playing us, which was rare
for an independent act to get radio
play next to Huey Lewis And The News
and Journey etc" says Steve. "We got
a good following built up by just
working all the time, which led to us
getting the award for Best Bay Area
Club Band two years in a row at the
Bay Area Music Awards. Huey Lewis and
the News, and The Greg Kihn Band had
won that award previously, so we were
in good company."
As many
readers of HOTR-ONLINE already know,
the glory-days period of 1981-1984
was indeed a vibrant one, and the
Frisco/Oakland/Bay Area location in
particular was a hotbed of activity
at the time. Eddie And The Tide was
right in the thick of it. "It was a
very diverse scene," recalls Steve.
"you had The Mabuhay Gardens (a
famous punk club) across from The
Stone (the rock club) and we were
opening a lot of shows for Huey Lewis
And The News (who were still at the
club level - before 'Sports' broke
big), Greg Kihn Band, Eddie Money,
Starship, there was just a lot of
great clubs, a lot of great music,
and some of the best fans anywhere.
It was very much a happening time in
the clubs. We were having a blast,
playing music, and living on Peanut
Butter and Jelly sandwiches. Broke,
but happy."
Another irony
for the band, they were all from back
East. Somehow they all ended up in
Frisco. "It was kind of weird how we
all got together" remembers Steve.
"Scott Mason our drummer, and myself,
grew up together back in Nashville
Tennessee, and neither of us was into
country music so we packed up his
V.W. and headed West, ended up in
Santa Cruz, and after a short while
unpacked the drums and guitars, put
an ad in the paper and ended up with
The Tide."
Defining their sound, it's easy
to hear other Frisco notables in
there. Huey Lewis, Greg Kihn, and
even further afield, the likes of
Rick Springfield, The Police,
Springsteen, Mellancamp who were all
popular at the time. Trying to
integrate personal preferences into
the bands overall sound could've been
a bit of a mission. "All those bands
you mentioned we were into" agrees
Steve. "I grew up influenced a lot by
Todd Rundgren, and got to sing with
him once on a Greg Kihn session. Our
bass player George Diebold was
heavily into Rhythm and Blues - that
whole Stax/Memphis scene. Our lead
guitarist Johnny Perri was into The
Grateful Dead, while Scott was really
into The Police, Aerosmith. Jeff
'Cazz' McCaslin our first keyboardist
was a big Springsteen fan, so it all
kind of merged together from there
really."
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Ever mention
the band name Eddie And The Tide and
the aforementioned Bobby Corona is
right in there behind them as a
"back-stop". He was a virtual
jack-of-all-trades for the band. "He
saw us in his club one night in San
Francisco. At the time we were
struggling trying to rise up a bit in
the club scene, and he saw us and
immediately asked if we had
management, and that he might be
interested. Now for any struggling
band in San Francisco, to have the
owner of the biggest rock club in the
city, want to manage you, was a dream
come true. So he helped us take the
next step up in the music business.
Plus it didn't hurt that he was a
great guy."
So Bobby put Spin Records
together, and got the band into the
studio for the 'I Do It For You'
album. A milestone in their career to
that point which Steve explains:
"Yes, we had been playing together
about three or four years and had a
few records labels show a little
interest, but not enough to sign us
to a deal, so Bobby said 'Screw it -
let's make our own record'. So we
went into Fantasy Studios in
Berkeley, which was a thrill for me
because I'm a big Credence Clearwater
fan. And we made 'I Do It For You' in
about three weeks. It went on to be
one of the biggest selling
independent records in the Bay
area."
Soon after
Atco/Atlantic came on the scene. They
must have liked what they heard, to
sign the band not long after. In many
cases it's quite a painful process
having to showcase for labels, and
'do the dance' so to speak. Not so
with The Tide reckons Steve.
"Actually, by the time Atco/Atlantic
came to see us, 'I Do It for You' was
selling really well, and the clubs
were filling up with people. We
played a thousand seat club in Palo
Alto, just south of San Francisco,
and it was packed the night Atlantic
came up. I'll never forget after all
the hard knocks and nights of playing
to some empty clubs etc, and just
paying our dues, it felt like that
night our time had come. It was wild,
after we played our show, which went
pretty well, we walked backstage, and
Paul Cooper, the A/R guy from
Atlantic, met us back in the dressing
room, and asked us if we'd like to
make a record for Atlantic. It was a
great night
indeed!"
The
relationship with Atco/Atlantic
generated two albums: 1985's 'Go Out
And Get It' and 1987's 'Looking For
Adventure'. I've read elsewhere that
the label didn't help matters by
trying to make the band something
that they weren't. I asked Steve what
his take on the matter was the
relationship between the label and
band/management. "We did have some
difficulty with people trying to
change us. Looking back now I wished
we'd stood up a little more for what
we wanted. But at the time we just
wanted to make music and get it out
on the radio. We figured Eddie Money
who produced our first Atlantic
record knew what was best. I think a
lot of bands when they sign with a
major label, tend to get a bit lost
trying to please
everyone."
As an aside,
I wonder if we'll ever see
Atco/Atlantic putting out re-releases
of those two albums. "I really have
no idea. Maybe Robert at Target could
twist their arm, and get those master
tapes. There are some great moments
on those records, and I'd love to see
them out on CD."
The
aforementioned 1988 and 1989 albums
are a superb 'back to basics'
collection of songs. By then, changes
were in the wind. A return to Spin
Records, still playing gigs, but no
mainstream label support, and of
course the changing attitudes in
music. "I remember a sense of relief
within the band. Going back into the
studio with Bobby Corona and just
having the freedom to make music how
we felt it, which is what music is
all about to me. Yeah it was hard to
not have major label support, but we
basically looked at each other, and
said, 'are we still having fun?', do
we want to go on? And everyone said
yes, so we put out two more records.
It all came down to how much we all
as a band loved music and rock n'
roll, and we got back to
that."
The band went
their separate ways in 1990 though
they have not completely disappeared
off the face of the earth. "Yes, I'm
glad to say I'm still in touch with
all the guys" says Steve. "All the
guys are doing well, families, work,
and no rock and roll casualties. Life
goes on."
Even though
the Tide separated more the ten years
ago, music is still in the blood for
most of these guys, Steve included.
"Yes, my wife and I write songs here
in Nashville, we have a song on the
new Duane Jarvis CD. And every Friday
night we have a jam session over at
my friend Stewart's living room, just
a bunch of people, with guitars and
harmonicas and bongos, just out for a
good time, which when I look back was
how Eddie and the Tide started
out."
Through their
ten-plus years hiatus, there must
have been particular moments or
highlights that stood out for the
band during their heyday. "I must
say, and it may sound corny" mentions
Steve, "but Eddie and the Tide was a
family. We were truly a team, and it
was a great feeling, driving home
from a show, at 3am in the morning
all of us crammed into a van, talking
about the show, how to make it
better, and knowing the power of a
song with a guitar and a backbeat -
making someone smile or dance away
their blues, that was what it was all
about. It was a
blast!"
With Steve
being a Nashville boy and all, I
couldn't resist a wee bit of lament
for the Tennessee Titans losing out
to the Raiders the other day in the
AFC championship game. Still
the best team won on the day so no
complaints there. Being an ex
resident from that area, I suppose
the Raiders would have been your
second best pick? lol.. "Yeah, it was
a tough loss, but now I say Go
Raiders!" (well by time this
article went online, the Raiders got
a spanking at the hands of the
Buccaneers!)
Well, we sign
off here, and thank Steve "Eddie"
Rice (better get the full name in!)
for his participation in this
interview. Who knows what this
exposure might lead to. Perhaps a
one-off reunion back in the Bay Area
for all the locals. Thanks
Steve!
"Thanks George, it was good for
the soul to go back and re-live those
days! Thanks!" - Steve "Eddie"
Rice.
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